How can we obtain knowledge of our bodily action and reflexes through the study of people who are extra sensitive to the wordless behaviour of others? Ike Kamphof and Ruud Hendriks will lead the 5th Marres Spring Session on the topic of ‘Body Languages’. The session will be in English.
When: Wednesday 8 June, 20.00-21.30 uur
Where: Misericordeplein Maastricht
Tickets: Regular €5,-, Students €3,-
Ike Kamphof presents various possibilities of sensory existence and co-existence by exploring rhythms, mimetic mirroring and sensory details. These all play a large role in our daily, largely silent and subconscious interaction. Ruud Hendriks studies clowns specializing in dementia care, who seek to help people with this condition retain their sensory and emotional being in the world. He focuses on clowning as a technique to become extra-sensitive to the subtle, wordless expressions of persons with dementia. Training the senses helps the clown go along with the patients and become attuned to their ways of being in the world. The clown also tries to find access to hidden capacities in people with dementia to stay sensitive and receptive to outside stimuli.
Ruud Hendriks (1961) is an Assistant Professor of Philosophy in the Faculty of Arts and Social Sciences at Maastricht University in the Netherlands. He studies artistic projects pertaining to people suffering from dementia and Parkinson’s disease. For this research, he was trained as a miMakkus clown, which involved learning to make contact with very simple gestures, body language and mimicry on a ground zero-based experience or expectation level.
Ike Kamphof (1959) is a philosopher and works in the Faculty of Arts and Culture at Maastricht University. She studies the role of media and technologies in care networks. In her recent book, Iedereen Voyeur (Everybody is a Voyeur, 2013), she explores our relationship to the world and to each other as expressed in ways of looking. Countering dominant views of the human being as a detective-scientist who strives to map the world by overseeing it, she focuses on embodied, multisensory ways of perceiving the world. The latter do not separate the viewer from what she sees, but transform them both.
Training the Senses:
Training the Senses is part of Marres’ long-term program devoted to the senses. The program consists of exhibitions, walks, workshops and presentations in which Marres examines artistic practices, bodily reflexes, mental states and conditions that include hallucination, depression, anxiety, love and remembrance.
